The Taming of the Shrew

Well, a rather cutural weekend in mid-July started with a trip to my happy place (The Royal Shakespeare Theatre, for any newbies to the blog). The play of choice was the latest version of ‘The Taming of the Shrew’ from the RSC.

This was an interesting adaptation of the classic tale, as the roles were gender-reversed. Kate and Bianco were the focus of the tale, men who came to the attention of the powerful women of Italy. However, still set in Shakespeare’s day, and the matriarchy of Elizabeth I. To begin with, I fully embraced the idea of strong females playing the game, having all the skill and focus to tame the men and achieve what they want. However, as you watch it, you realise that it is actually not a particularly friendly tale (as it is often romanticised as), but actually a tale of manipulation.

Now, this is a sign of a good production, as it makes you reflect and think about the tale that is unfolding in front of you. And maybe, as a female I was more aware of the tale as the women took the lead.

This was an excellent production. Purists may not enjoy the change of genders, but this does not take away from the tale at all. There is comedy and emotion in the production, and you are invested in the tale from the moment it begins. Bianco is fabulously vain; Kate is fabulously rough and ready, but goes through the transformation like a butterfly, and Claire Price makes Petruchia her own.

There was, of course, everything else you would expect from an RSC production. A simple but engaging set and a great use of music and costume to bring the tale to life. A clever reflection of past and present, I would recommend catching this porduction if you can, as I think it will lead you to reflect on this story a little differently to before.

Although, I have to admit that this experience was probably enhanced by spotting Sir Ian McKellen in the audience which will conviently lead to my next post…

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