With Netflix releasing its adaptation of ‘The Haunting of Hill House’, I decided it was time that I tried to read some of Jackson’s work.
I am usually not one for spooky novels but, as I have started to want to read books that fit seasons this year, I made a change. I could not put this book down once I started it. Shirley Jackson writes in a wonderfully accessible style which sucks you in – and also adds to how much she manages to spook her readers. Although it was clear that the TV adaptation was only really inspired by, rather than fully based, on the book both are wonderful in their own way.
Again, I do not want to spoil the novel for anyone who may want to read it. However, if you do, you will be as drawn into the mystery of Hill House as its inhabitants. I did not find it a terrifying read but it certainly can play on your mind as the story unfolds. What is real in the house and what isn’t? Is everyone having the same experience or is there more to it?
I am certainly glad that I chose to read this book in October, as it is idea for autumn. I am also glad that I did not assume I knew the story from the Netflix series – well, for me anyway. So, I have now discovered another author whose books I would like to read more.
Have you read any Shirley Jackson novels? What are your thoughts?
So, I spotted that this was considered a must-read for autumn, which was the final little piece of encouragement I needed to pick up a copy – as, basically, I wanted to read it anyway – haha!
This is a brilliant thriller and I was genuinely surprised it was a debut novel. It is a clever and sophisticated plot with a twist on what seemed like every page. The tale is told in the past as well as the present – giving us the context around the strange events playing out, or almost, repeated in Eddie’s life. I genuinely can not say much about this book but I do not want to even hint at a spoiler for anyone who would want to pick it up. However, I would have liked a little bit more of the ‘spooky’ side of the tale – but this does not negatively impact the tale at all merely a personal preference.
I also could not believe the final chapter – it was not what I was expecting at all – maybe some of you would have spotted it, but I didn’t, so it was an excellent twist.
The Chalk Man – which works on more than one level in the story – is correctly identified as an excellent autumn/winter read. It is ideal for those dark nights when many of us like to be a little bit spooked.
Really excited to see what C J Tudor’s next book brings…
I had spotted this book in the Bookstagram world, so when it was a bargain then I had to pick up a copy. Now, I had no idea what this novel was about, just that it was by the same author as ‘Gone Girl’.
When I started reading I was instantly hooked as there were so many strands to this novel that you simply wanted to know ‘Who, What, Where, When, Why, How’. There is a clever study of human nature and psychological throughout. The interactions between the characters are absolutely fascinating. Especially, when you realise the impact that someone’s actions and attitudes can have on someone else. Camille and her mother have a very strange and strained relationship but as secrets are uncovered there are even more surprises ahead for all. As well as the solution to the mystery gripping Wind Gap.
This book is not a comfortable read, as it deals with some very difficult issues, but it is compelling. I am glad I have read it and it will certainly stay with me for a long time to come – a good autumnal choice.
Have you read any Gillian Flynn novels?
Arriving at The RSC on a Saturday evening (two weeks ago – oops) in October, I realised that I did not have a clue what Troilus and Cressida is about. All I knew was that there was a ‘Mad Max’ feel to the production (confession number two – never seen it) and there had been a lot of positive hype about the production we were about to see.
Just before the play began, Mr Bookwormandtheatremouse offered me a whistle-stop synopsis which basically told me it was set during the Trojan War (something else that is not my forte). However, once the action began, my lack of background knowledge was not a problem. This story contains everything that I think makes a good play – humour, intrigue, action and a little bit of tragedy. You certainly can’t fully categorise this play into any niche as it is peppered with a little bit of everything.
Central to the plot is the power struggle between Greece and Troy. Well, in fact, power struggles as a whole. There are a lot of games played throughout to really find out who is top dog, or so that someone gets exactly what they want. Our star-crossed lovers (I know, traditionally a different play) are caught up amongst all the power plays, mainly thanks to Pandarus. This play certainly keeps you on your toes as the tension builds and the action unfolds.
The setting of this play may not be traditional but it works. The costumes are stunning, the set so versatile and the casting excellent. Although some characters may not be their ‘traditional’ gender, it is certainly the best actors in the role in every case.
The percussion, from the imagination of Evelyn Glennie, is perfect. Wonderfully performed throughout, it gels with the whole production.
So, for dare I say it, little known Shakespeare play, I was enthralled (and certainly need to brush up on my ancient history) and, for me, it has one of the best closing lines ever – ‘And at that time bequeath you my diseases’ (delivered perefectly by Oliver Ford-Davies).