Mischief Movie Night In

So, as this Ney Year was all about a big night in, we decided to share it with the ‘Mischief Movie Night In’. A night in brought to you by those wonderful people who bring us so many of those shows that go wrong – which are so right.

This is an online tickted show (of course) and is slightly different, as the wonderful ensemble bring you an improvised ‘movie’. They use ideas from the audience and Twitter to help them form their ‘movie’.

We were treated to the epic ‘Cat in the Habit’, a period romance set in a convent (had the audience been watching the latest BBC adaptation of ‘Black Narcissus’?) I could not possibly share the full story as I am not sure that I could put it all into words. However, I can tell you that the ensemble of the Mischief Theatre Company clearly have so much fun improvising these tales for the audience. It leads to all sorts of giggles throughout – especially when the director throws in the odd additional support, like a surprise musical number.

This was honestly such a charming and entertaining way to spend New Year’s Eve. It brought so much joy and happiness to the end of 2020 and definitely set the tone for a rather better 2021 (fingers crossed – I know it may not have started quite as we all hoped). And, really, hats off to all of those in the theatre and arts who have found new ways to bring joy to their audiences.

Even better news – there are more ‘Movie Night Ins’ heading online for us this January.

A Christmas Carol by In Camera The Old Vic

Theatre if one of the greatest joys for Mr Bookwormandtheatremouse and I during the festive season. However, of course, this year live theatre was not an option for us. But we wanted to support the Arts, so ‘A Christmas Carol‘ streamed by The Old Vic, seemed like a perfect opportunity.

It may not be exactly the same settling down in your own home to watch a play, however there was still some of the magic – dim the lights and create your own atmosphere.

This was a lovely adaptation of the tale – it goes at quite a pace that certainly holds the audience’s attention. This does not take away from the tale at all, but just means its focus slightly shifts. This adaptation for me, has more of a message about the saving of Ebenezer Scrooge – the man he can become and the help he can bring to so many. The message from this was perfect for 2020, and the strange year it has been.

Every member of the cast was excellent, but I did enjoy Andrew Lincoln as Scrooge. It was nice to think of Scrooge as a younger man who would have the chance to make a difference for many years to come.

If you have a chance to catch this production, please do – it is good fun and a tale that is so much part of the festive season.

The Whip

As the world appears to be a strange place at the moment, we took the chance to indulge in some escapism at the RSC. We went to see ‘The Whip’, a period piece set in 1833. It tackles the abolition of slavery, and the politics around it, but also the issue of the conditions in the Northern cotton mills.

I do not think I can do this play justice. It was a brilliant piece of theatre. Thought-provoking, emotional, humorous and entertaining. It really demonstrates how complex some of these issues were and how money was the fuel to so much of what took place. Attempting to achieve any kind of reform was difficult; even those who were really motivated to had struggles to overcome or prevent them from achieving their real aim.

The acting from the company was outstanding. The music framed and supported the narrative perfectly. The play itself was beautifully written with engaging dialogue. As well as the clever title, ‘The Whip’ – a reference to so much throughout the play.

As a History teacher, I have walked away with so much to think about and so much more I want to follow up. Unfortunately, there is only one week of this play left (this was written before the recent announcements) to go, but I hope it tours or gets another season, because I would encourage people to go and see it – and I would love to see it again.

Theatre Club 2020 – Waitress

Theatre Club 2020 has started on a high. This year, I chose Waitress as the show to celebrate my friend’s birthday – the hype has dragged me in, no point denying it. And, wow, it is not over-hyped, but totally deserves all the hype.

We did not know the story at all before the performance, so everything was a wonderful surprise. Jenna knows life is not quite as she dreamed it would be. She is a waitress with an amazing talent for baking pies with a story – she also has great friends. However, when she realises she is pregnant and meets her new doctor – her life starts to change…

The really special thing about this show for me was that it is a tale of female empowerment. About having the confidence to know you don’t have to be what people think you should be – you have the potential to be whatever you want to be.

The music and songs are wonderful throughout. There is humour and warmth – and a great collection of characters. Sara Bareilles has the most wonderful voice and, as composer of Waitress, is a real treat in the lead role. However, this is another show that is not about a star but about an ensemble of great actors who bring the story to life for the audience.

I have also never been to a show before that has quite so much applauding at the end of each song. The fan dedication to this musical is amazing and I am now also ‘Team Waitress’. So, if you can’t catch it in London, there is always the tour – just try to see it, as it is a beauty.

The Boy in the Dress

I have finally been to see ‘The Boy in the Dress’ – and why, oh why, did it take me so long?

This musical is awesome – a true production for the twenty-first century. I have never read a David Walliams book (although my niece is a huge fan and did once give me a thorough lesson in his work), but now I may have to change that.

‘The Boy in the Dress’ is brought to us by David Walliams, Guy Chambers. Robbie Williams and Gregory Doran, and they have genuinely put together one of the most heart-warming shows I have seen. There is singing, dancing, comedy and – at one point for the majority of the audience – tears (due to the beautiful emotion between father and son).

Dennis knows he feels a bit different – and discovers he likes to wear a dress. Something his friends Sarah James and Darvesh have no issue with. But not everybody is so understanding, because it is not what boys do. Boys play football, they don’t wear dresses… However, as the story unfolds many of the characters go on a journey to realise that things don’t have to be ordinary, but they an in fact be extraordinary.

Everything about this show is golden. The set is, as always, simple but clever. The costumes are wonderful and tranistion with the tale. The songs are catchy and toe-tappingly perfect. And finally, the performances from every single member of the cast brought every moment of the story to life. This is not a production with a star but with a team, each clearly having a whale of a time entertaining the audience. And, wow, the audience was entertained; clapping, laughing, cheering.

It also struck me how diverse the audience was, proving, as always, that we do not need to limit people’s access to culture and theatre. People of all ages can enjoy an afternoon at the theatre. ‘The Boy in the Dress’ certainly united so many – just as fashion and football can. So, if you think you can squeeze a trip to the theatre in before ‘The Boy in the Dress’ closes, I would do it. And, if not let’s keep everything crossed that The RSC decides to tour this or, as with Matilda, gives it a chance in London. And let’s all remember: we are extraordinary not ordinary.

Matthew Bourne’s Romeo and Juliet

Ballet and Shakespeare: what could be more perfect? Thrown in with Matthew Bourne’s skill if setting his productions in unusual settings, you have a great evening of theatre.

Bourne’s ballet is set in an aslyum, which may not be the usual setting for one of Shakespeare’s greatest love stories, but it worked. Now, I do not claim to be an expert on the deeper ideas about the interpretations but for me this was about the patients versus the establishment, and the forbidden love comes from the ‘Girls’ and ‘Boys’ being divided.

Whatever the interpretation should be, the point is the fact that this is an enjoyable production. The choreography is engaging and tells the story beautifully at every stage. There is humour, raw emotion and devastating tragedy.

The staging is simple but powerful, the stark white of the patients costumes and their ‘prison’ is a great contrast to the tale unfolding on the stage. The dark form of Tybalt casts his shadow over the lives of the patients. And a violent, heart-breaking tale unfolds.

Having seen this and ‘Sleeping Beauty’, it makes me keen to see more of Matthew Bourne’s interpretations, as he is clearly not restrained by conventions.

Have you seen any of Matthew Bourne’s productions? What are your thoughts of his style?

Theatre Club – Fiddler on the Roof

Regular readers will know that there is a tradition between myself and Mrs M, known as ‘Theatre Club’. Twice a year, without fail, we go to see a show in London as a birthday treat for each of us. As it was my birthday earlier in the summer, it was my turn to be taken to a surprise show.

And, Mrs M did an amazing job with her choice, as we went to see ‘Fiddler on the Roof’ at the Playhouse. There are so many reasons that this was a treat but mainly because I have never been to this theatre and I have never seen ‘Fiddler on the Roof’, but it has always been on the wishlist.

Wow, what a production and what a musical. It was clear before it even started that this is a musical that holds a special place in the hearts of so many muscial theatre fans. I now totally understand why; this is a show that I am not going to forget for a long time.

The songs are wonderful and I especially enjoyed hearing ‘If I was Rich Man’ performed so fabulously by Andy Nyman. The choreography was stunning, you almost wanted to join all the cast on the stage. But, for me, it is the actual tale that struck me the most. I have never seen the film or any previous production, so I wasn’t totally aux fais with the story. However, it is so emotional, the idea that the Jewish people had to fight for their traditions and culture. And, although some progress can be good, the destruction of culture and a way of life is never okay. The musical is so beautifully humourous and heart-warming that, as it reaches its conclusion, you can not help but shed a tear or two.

‘Fiddler on the Roof’ is evidence again that the most surprising subjects make the most powerful and memorable musicals. If you can find an opportunity, I would highly recommend seeing this show. Absolutely brilliant from start to finish.

Measure for Measure

Our summer trip to the RSC was to see Mr Bookwormandtheatremouse’s favourite play, ‘Measure for Measure’. A probloem play, so I am told, as it does not appear to fit perfectly into any category.

This production, by Gregory Doran, is set in early 1900s Vienn. Angelo has been left in charge of the city to deal with the brothels and low morals that the citizens appear to be demonstrating. However, is he in fact, any more morally superior than the people he is accusing?

This production was certainly played for laughs (including actors corpsing which, for me, always makes the show more enjoyable). However, what struck me through some of the action and the soliloquies is that, again, Shakespeare’s plays could have been written for the age we are living in. Are those in control really deserving? Can we believe or trust anything we are told?

As always, the production was superb. The cast engaged the audience in the tale, the set so simple but yet so versatile, and the music creating the perfect atmosphere.

Overall, a highly enjoyable, yet thought-provoking evening.

Six: The Musical

I love the opportunity to go to London and see a musical. As Miss W had mentioned that she fancied seeing ‘Six’, I jumped at the chance to plan a little trip (especially as even students I teach had been telling me ‘to see that musical about Henry VIII’s wives’).

‘Six: The Musical’ is at the Arts Theatre on the edge of Leicester Square. Quite an intimate theatre, which is perfect for this show as it is more a brilliant rock and pop concert than a traditional musical narrative. In fact, it is such a simple idea that it is incredibly effective.

The wives act out their own singing contest to allow the audience to decide who the most hard-done-by wife of Henry VIII was. Historical fact is set to amazing music to allow each wife to tell their tale, in a way that would probably suit their character if it was the modern day. The songs are catchy and the audience really does feel like it is at a rock concert.

However, what struck me the most was not just the amazing all-female production but the excellent ‘political’ statement made about ‘his-story’. All of those women are connected by Henry VIII, the man who fact brought them to hsitory. Yet they are part of ‘her-story’ and are figures in their own right, none more significant than the other but each having made their contribution. We just, unfortunately, often remember what those who write ‘his-story’ want us to remember.

This show deserves all the praise and dedicated following it has gained. And, if it is causing people to become more interested in history well, then it has done a fantastic job.

Grease: The Musical

Despite my love of musicals ‘Grease’ is one that I have never seen. I’m not really sure why; after all, I was in the chorus of a school production many years ago. So, when I was given the chance to see the current touring production at Birmingham Hippodrome I thought: why not?

It really was an ‘electrifyin” production. Grease is one of those shows that has a cult following; really dedicated fans who ensure they see it every time it is on as it is a show that engulfs the audience in the nostalgia of the age of rock ‘n’ roll. As well as involving a love story which is always a popular narrative.

Let’s be honest – when the first tune is ‘Grease is the word’, you are addicted to the show. The whole performance was wonderful, high energy, colourful, and fabulous. There was even a ‘flying’ car during ‘Grease Lightin”. The whole company were great, with Dan Partridge taking on Danny Zuko and Martha Kirby playing Sandy (you would not know it is her professional debut – she WAS Sandy). However, I am not sure I have ever heard an audience get quite as excited as the moment that Peter Andre appeared as ‘Teen Angel’, a short but sweet appearance which made the audience squeal.

I really enjoyed this porduction, and the nostalgia of rock ‘n’ roll and the start of teenagers as their own group. I am not sure that the ‘love’ story is one that works for the modern age, but it is good fun and I am not sure why I have waited quite so long to see it.