Matthew Bourne’s Romeo and Juliet

Ballet and Shakespeare: what could be more perfect? Thrown in with Matthew Bourne’s skill if setting his productions in unusual settings, you have a great evening of theatre.

Bourne’s ballet is set in an aslyum, which may not be the usual setting for one of Shakespeare’s greatest love stories, but it worked. Now, I do not claim to be an expert on the deeper ideas about the interpretations but for me this was about the patients versus the establishment, and the forbidden love comes from the ‘Girls’ and ‘Boys’ being divided.

Whatever the interpretation should be, the point is the fact that this is an enjoyable production. The choreography is engaging and tells the story beautifully at every stage. There is humour, raw emotion and devastating tragedy.

The staging is simple but powerful, the stark white of the patients costumes and their ‘prison’ is a great contrast to the tale unfolding on the stage. The dark form of Tybalt casts his shadow over the lives of the patients. And a violent, heart-breaking tale unfolds.

Having seen this and ‘Sleeping Beauty’, it makes me keen to see more of Matthew Bourne’s interpretations, as he is clearly not restrained by conventions.

Have you seen any of Matthew Bourne’s productions? What are your thoughts of his style?

Romeo and Juliet – Another Birthday Treat

As regular readers will know we as a family love a bit of Shakespeare and time at the Royal Shakespeare Theatre. So, a little birthday treat was to see my second-favourite (I think – although top spot will always be ‘Much Ado About Nothing’ – I seem to constantly change the other rankings) play, ‘Romeo and Juliet’.

I always try to avoid finding out the staging and setting of productions before we go, as I love the element of surprise. However, I had a not totally managed it before this production, so I knew it was modern and that it hoped to raise awareness of knife crime in the 21st century, especially amongst the young.

The stage was wonderfully plain, only starting with a box on stage. I am always impressed how little staging the RSC productions need for some of their adaptations. I was intrigued to see how we would experience the story on this simple stage.

As the lights dim those famous opening lines begin – ‘Two households, both alike in dignity, In fair Verona were we lay our scene…’ I was excited. The production is certainly a young one; the real focus, for me, was on the relationships between the young characters. The risks of being quick to anger and the lack of empathy and understanding that big rival groups can have for each other. The damage that the actions of others can have even on positive situations. And, how extreme tragedy can sometimes be the only thing that causes people to stop and think – unfortunately, something that we witness almost everyday in the world that we live in.

I enjoyed the production, especially the performances of Karen Fishwick as Juliet, Baily Gill as Romeo ad Andrew French as Friar Laurence. (That moment at the end – if you know the story, you’ll know what I mean – was emotional and beautifully done). However, there was a little bit of a feel that it was inspired by the Baz Luhrmann film and, as huge fan of the film, I totally understand what an inspiration it could be. Yet, I do not think that this production needed it, as it was relatable as it was.

This production is still a must see, and certainly one that I think younger generations should see and really think about. It always surprises me how much Shakespeare plays are relevant today and certainly cements why he is still so much part of our British culture.

Do you have a favourite Shakespeare play? Or an adaptation that really strikes you?