I am about to make a bold statement: this is my favourite Pratchett ever (so far – as I am reading them in order).
I was late to discovering Pratchett. Mr Bookwormandtheatremouse is a big fan so I decided I should give the Discworld novels a go, especially once the beautiful hardback books were published.
I have to admit that sometimes I am not entirely sure what has happened in the stories but I have always enjoyed them. However, ‘Pyramids’ seems to have changed that. I managed to keep the thread of the story even without chapters (that has really taken some getting used to). ‘Pyramids’ is infused with Pratchett’s gentle humour and witty observations that create his Discworld parallels to our world. Their version of Ancient Egypt is highly ridiculous with a whole host of highly comical and equally ridiculous characters. Yet, the odd voice of reason comes in the shape of our hero, Teppic, his ghostly father and a camel (well, he offers thoughts of reason).
This book has certainly reignited my joy in being part of Discworld. I accept that chapters are not a thing and sometimes I will need a character list to keep me on track, but the escapism is totally worth it (and the giggles).
I saw an article not so long ago that suggested that there were not enough lead female characters in children’s fiction, but yet again I have stumbled across another: Tiffany Aching is one of the most fabulous female lead characters I have encountered.
Tiffany encompasses the idea that girls can be courageous and ambitious and will not let the world that they live in hold them back. In fact, it was interesting at the end of the tale that Pratchett highlighted the fact that successful and heroic females do not always get the recognition that they deserve, but they are confident enough in their own abilities that they do not need public adoration.
As I am sure you can see, I loved reading ‘Wee Free Men’. There was a charm to the book from the moment you picked it up. It was full of Pratchett’s usual wit and humour that works on so many levels (adults can always enjoy his children’s books as much as his target audience) and the voice that he gave the ‘pictsies’ was spot on. I often found myself chuckling as I heard their ‘wee’ Scottish voices throughout the novel.
The foe of Tiffany is the ‘Queen’, who kidnaps her younger brother. With the help of the pictsies and a mildly grumpy toad, Tiffany has to fight the dreams that the Queen creates for her to try and get her brother home. Her inspiration throughout is Granny Aching, who she gets her strength of character from. It is quite an adventure for all involved.
So, I think I may have found one of my new favourite characters, as it is rather a lot of fun to join Tiffany on her adventures.
Mr Bookworm and Theatre Mouse introduced me to Neil Gaiman about 7 years ago. Since then, I have become a massive fan of Gaiman’s work and, as there has been such hype about the TV series of ‘American Gods’ (how can there not be when Lovejoy is in it?), I thought I had best read the book first. This is a rule I have: try to read the book before I see any kind of adaptation.
I think this is the longest Neil Gaiman book I have read and it seemed to take me a while to get through it. Not due to lack of enjoyment, but due to real life getting in the way. I was, in fact, hooked from the moment I picked up this title – it does have quite a dramatic start and I constantly tried to sneak in a few pages wherever and whenever I could since then. I was fascinated about Shadow and his story and the mysterious Mr Wednesday from the word go, and you just get more drawn in as you are introduced to the vast array of colourful characters throughout the novel. You just want to keep turning the pages, as you’re always keen to find out what is going to happen next.
It does take some concentration to keep up with the tale as it marches towards the conclusion, but that does not take away from the enjoyment of the book. It is extremely clever storytelling when even the smallest incident turns out to have quite an impact on the story. So much is revisited that you wonder if you should have given each event more of your attention as it happened – which is something great that you’ll often find in Neil Gaiman’s stories.
The research and detail that has been put into this book to intertwine all the gods and folkloric figures from around the world as they converge in America (as so many different cultures have done) is commendable, and has left me with a desire to find out more about a number of them. Mr Bookworm and Theatre Mouse was quizzing me on if I had worked out who they all were, but I am happy to find out as I go rather then predict.
This book was a brilliant read and overall, for me, it has left me thinking about ‘Shadow’ and shadows: do we always know what is going on or what is going to happen? Do we need to be in the spotlight, or should we be looking at the magic of the shadows?