A Christmas Carol

I am a huge fan of the story of ‘A Christmas Carol’ (and I must confess that it is the only Dickens tale that I have read from start to finish), so when I saw that the RSC was going to be doing an adaptation this festive season, I had to get tickets. Then my excitement was heightened when the cast was announced and Phil Davis was to be taking on the role of Scrooge; he has been a family favourite of ours for a long time, especially for shows such as ‘Whitechapel’ and the appearances that he makes in all our favourites.

So, on the 16th December (I know, I am a little behind – blame festivities) we arrived at a very Christmassy Royal Shakespeare Theatre to take our seats for ‘A Christmas Carol’. From the moment the production started, you were transported to Victorian England at Christmas time. The thing I admired the most was that such a simple set transported us to all the favourite destinations in the tale, from Scrooge’s chambers to Fezziwig’s Christmas party, in such simple moves of staging from all of those involved. The other immediate charm was that it was a small cast who took on the mammoth job of bringing this favourite to life, but it was all so cleverly done with subtle links between the characters they took on (I always admire a quick change).

Dickens takes you through the story as the narrator of the tale (although he too must take on other roles as we move through the play, but you almost do not notice, as it is all such a smooth transition). However, what I really admired about the tale having some narration, rather than it just being played out, was the real focus on context that this story was given with this narration. The social and historical context were really key to this production and this in fact probably made the tale even more relevant for the modern audience as, sadly, we are still in a society of clear divisions.

The costumes and the effects throughout the production are absolutely stunning. Every single member of the company appears to thoroughly enjoy themselves from start to finish, and you are entranced from the very beginning. The audience certainly showed a great deal of appreciation for the play.

I am not sure I can ever really say that I have a favourite Scrooge – give me any opportunity to read, see or listen to this story over the festive period and I will take it. However, Phil Davis was a wonderful Scrooge, conveying the small emotional changes you see in the character as the story unfolds before his eyes just as it does for us.

I would highly recommend catching this at the RSC if you can; it is another wonderfully festive interpretation of a much-loved classic and it will keep that festive spirit alive a little longer as we head into 2018!

#LoveTheatreDay

So, today is #LoveTheatreDay, and that is pretty much my dream day! Shame that I could not really celebrate with a theatre trip, but I thought I would share with you all my top 5 shows of all time. (At this current moment at time, because I really struggle to ever make this definitive, and I change my mind all the time as I change the criteria).

1. Matilda – The Musical

This is one show that will always make any list about theatre that I love. This stunning adaptation of the much-loved Roald Dahl book is a show that I have seen 3 times and I am always considering seeing it again (after all, it is touring next year). My love of this show is based on so much! It is a fabulous story from the mind of one of the greatest storytellers of all time, with a wonderfully colourful collection of characters. The songs are simply wonderful; it is probably one of my most played albums on my iPod, as they contain all the humour and sensitivity of the story. And the set…oh the set is a beauty, perfect for setting the scene for the story. I could go on and on about my love of this show, but I think that is a taster of why I am such a fan of this wonderful show.

2. Nativity! – The Musical

This is a very new show to the musical theatre scene and I have already written a post about how wonderful it is (please, feel free to pop over and have a read), but it still needs another mention here. Nativity! – The Musical is based on the much-loved Christmas film and it is simply a joy. You will not leave the theatre without smiling and singing, if you were to see it. This is one of the happiest shows I have ever seen, so if you can catch it this festive season, I would really recommend it.

3. Love’s Labours Lost and Much Ado About Nothing (Love’s Labours Won)

I have cheated here – I know! This is technically two shows but they were produced by the RSC as  a pair that, really, you need to see together to appreciate. These two productions were both absolutely stunning; so much humour and warmth in both. However, they also had a very important message about World War One and the impact that it had on so many. The ensemble who brought both plays to life were a joy to watch. This was, again, perfect proof of how versatile the stories of Shakespeare can be as they transcend the generations.

4. All New People

This was a play by the wonderful Zach Braff that I was so determined to see I went all the way to Glasgow to see it. It did not disappoint! I am a huge Zach Braff fan and the thought of, one, seeing him on stage and, two, in something that was his own work was just too much to miss for me, and it was great. Such skilled writing and acting, and a great tale about what can happen when a random selection of people are thrown together.

5. Spamalot

This is a show that holds a special place in my heart as my dad is a huge Monty Python fan (as is Mr BookwormandTheatreMouse), and it is a musical that I have seen with them both. This is just classic, silly comedy that sweeps you away on the most ridiculous adventure, but every moment is so entertaining. The affectionate mick-take of musical theatre that runs all the way through the production is also so much part of the fun. I have seen professional and amateur productions of this, and both were so entertaining and brought so much joy to the audience that it was a real reminder of why theatre is such a great part of our culture.

There you go; that is – at this precise moment – 5 of the best for #LoveTheatreDay, but I have been lucky enough to see so many amazing productions and made so many happy memories at the theatre with friends and family that I would just urge you all to enjoy as much live theatre as you can!

Coriolanus

I always look forward to my trips to the RSC. It is a tradition to attend with my mum, dad and Mr BookwormandTheatreMouse, and knowing we were off to see Coriolanus added huge excitement. My Mum studied Coriolanus at A-Level (a little while ago…hehe) and she had been going on and on about wanting to see it again, so I was keen to see why this play had captured her imagination.

We were all hooked from the moment that it began; as always, the action was immediate. And, with war as a central theme, there was a wonderfully choreographed fight scene between Coriolanus and Aufidius early on. However, their enthusiasm did seem to be a little too much, because after quite some encounter with the shutters, that formed a key part of the scenery, they no longer worked. This technical hitch did not spoil anyone’s enjoyment; in fact, after the slight interlude, the cast managed to make quite a joke of the situation as they returned to the stage and acted as though nothing had happened.

All seemed well as the tale continued and the power struggles developed, until in a moment of total darkness there was quite a crash as the shutters stopped the play again. I only mention this because of the amazing spirit of the cast, crew and RSC staff as they proved that the show must go on. All of this, in fact, led to us having an exclusive performance – as in it became a shutter-less performance. This did not remove from the story or the action at all; you would not have known that the shutters were missing, other than that it was a missing element of the industrial setting.

The play was one that had a clear theme of war and the struggle for power. Coriolanus has clearly been brought up to be a fighting machine, but the desire for power from the people around him exposes some of his weaknesses. This leads to an alliance that eventually ends in tragedy.

Sope Dirisu led the cast wonderfully in this production and really finds his stride as the play develops. As you would expect from an RSC production, the whole cast gel together to bring the story to life for the audience.

I think that this is a hidden gem in the Shakespeare collection and I am so glad that my dad is determined to collect a whole set to keep us all visiting the RSC.