Titus Andronicus – Don’t eat the pie!

The Rome Season from the RSC so far has been incredible, with their productions of Julius Caesar and Antony and Cleopatra, so I had very high hopes for Titus Andronicus. My excitement levels had also been building since it had been announced that David Troughton would be taking the lead role. There are two reasons why this is big news for me: 1. (confession time) I am a huge Archers fan, and 2. (a more grown-up reason) he had been brilliant in King Lear as Gloucester, really making you believe that his eyes had been plucked out.

It was with great excitement that I arrived at the theatre; I was keen to see where this adaptation would take us. As it happens, it more or less brings us bang up to date – maybe a little worryingly so, considering the current situation in parts of the world, but the story does move seamlessly into the 21st century.

There are of course themes of conflict, power, wealth, deception and revenge; in fact, it is a very hard-hitting tale and maybe not one for the faint-hearted. The acting throughout from the whole cast was stunning; you were mesmerised by what was unfolding in front of you, even if at times it is slightly uncomfortable viewing. For me, it does contain one of the best acts of revenge in any Shakespeare (and possibly in any tale) but so as not to spoil it too much, I will simply warn you not to eat the pie – especially if it is being served to you by Titus himself!

This production was again a credit to the whole Royal Shakespeare Company and all the people it takes to bring such a production to the stage. It was truly brilliant and an excellent third installment in the Rome Season and a thoughtful reflection that the issues in modern-day society are not that far removed from those of thousands of years ago.

Coriolanus is the fourth part of this Rome Season, and I am excited to see what that has in store for us later this year.

Vinegar Girl by Anne Tyler

If you are a regular reader of the blog, you’ll know that I love Shakespeare. I cannot quite quote the Bard, but I am a huge fan of the stories and the characters that he created for us – so, when I found out about the Hogarth Shakespeare project that was opening up the opportunity to give some of his most beloved plays a modern twist, I knew I had to read them.

So, I have started with ‘Vinegar Girl’ by Anne Tyler. This is a modern take on ‘The Taming of the Shrew’, one of Shakespeare’s most famous comedies, and Tyler’s writing certainly keeps the light-hearted charm of the tale. This version is set in America, with the lead character, Kate, doing her best to look after her father and sister, and keep her ‘expressive’ mouth and face under control.

Kate has not quite had the life she may have imagined, but is a little taken aback when her father suggests she should marry his lab assistant, Pytor, in order to secure his green card. There is a clear exploration of the relationships between the characters and how small things can lead to big changes. Image is also central to this story: the image that people try to portray, sometimes even leading to surprising discoveries about the ‘real’ people.

There is a charm to this book that does make it very difficult to put down. You find yourself rooting for almost every character as they almost haphazardly make their way through day-to-day life. And there is a happy ending, even if it is not a fairy tale.

This has certainly inspired me to have a go at all the others – the question, however, is which one?

Antony and Cleopatra

After the bar had been set by Julius Caesar, I had very high hopes for Antony and Cleopatra and…it did not disappoint. Antony and Cleopatra is a gorgeous, golden production and is still flying the flag high for the Royal Shakespeare Company’s Rome season.

The settings for this production are the ancient civilisations of the Roman Empire and Cleopatra’s Egypt. The scenery is amazing as it seamlessly moves between kingdoms and the action. It, also, clearly connects to the Caesar production in the current Rome season. The music fully supports in creating the atmosphere for the destinations and the story as it unfolds.

There is no mistaking the Queen of Egypt in her stunning, shimmering costumes. Josette Simon plays Cleopatra with real elegance and perfect humour. Antony Byrne is a commanding Mark Antony and together they play out the true passion between the two lead characters. The rest of the cast perfectly support the central characters as the plot picks up pace. It is always wonderful seeing the ensemble of actors move from one play to another demonstrating their true versatility.

For one of the longer of Shakespeare’s plays, you are hooked from the moment the stage erupts into life with a dance scene in Egypt until the tragedy of the final closing scene, played out beautifully by all those involved.  The intense applause was well deserved for all involved (on the stage and behind the scenes) as the lights signalled the end of the performance.

The next stop will be Titus Andronicus and, if the first two plays are anything to go by, I absolutely can not wait.

Five Fabulous Females in Fiction

International Women’s Day first really came to my attention when I was living in Italy, as they celebrate Women’s Day every year. Beautiful yellow flowers are handed out to the women and families celebrate the women in their lives. It was such a lovely tradition.

As I have thought back and remembered that day, I have decided to think about the females in fiction that I have loved, as I have grown up reading so many wonderful books. They need a little bit of celebrating too.

  1. Matilda (Matilda by Roald Dahl)

I was an enormous Roald Dahl fan as a child and, to be honest, I still am. I do not believe that he wrote books that were only to be enjoyed by children. I can remember the birthday that I was given three Roald Dahl titles as a gift and Matilda was in the collection. She is already ideal to me because she loves books and she does not let being a little girl stop her from achieving exactly what she wants. She may not feel that she always fits in, but she has so much character and is a great role model for fans of her story.

2. Beatrice (Shakespeare’s Much Ado About Nothing)

I first met Beatrice as I studied A-Level English Language and Literature. She is someone who appealed to me straight away, as she is not your typical heroine. Beatrice is a witty and independent figure, and seems very different to many characters of the time – she may appear cynical about happy endings but, in fact, desires them more than most. She is someone that I would love to have as a friend; she would cheer up any situation and would certainly tell you to ‘get over it’.

3. Emma Woodhouse (Emma by Jane Austen)

Now, let us all be honest: there could have been any number of characters that could have been plucked from the pages of Austen’s works; however, for me it has always been Emma. I am not entirely sure what appeals so much about Emma, as I can totally recognise that to some she may be a little irritating and misguided. Yet, when I first met Emma on the pages of Jane Austen’s novel, there was something that I found charming. She wears her heart on her sleeve and all her actions are, she believes (most of the time), to benefit others. Emma may get a bit carried away and does not always go about things in the right way, but she still is a lovely heroine and learns her lesson. Even reimagined in the recent retelling by Alexandar McCall Smith, I thought Emma was great!

4. Hermione Granger (Harry Potter novels by J.K. Rowling)

Hermione may be one that many of you expect but she has been a female character that I have learnt to love as my love for these books has increased. I am not going to lie – at the start, I had a similar reaction to her Ron Weasley but, as he did, I learned to love her. Hermione is a strong, independent young woman who (very much like Matilda) does not let anything stand in her way. She is one of the bravest female characters I think you can find in fiction, and the most fiercely loyal. The friendship between her, Ron and Harry is inspiring and shows that gender should never stand in the way of true friendship and adventure.

5. Mrs Hudson (The Sherlock Holmes novels by Sir Arthur Conan Doyle)

Great female characters don’t always have to be central to the stories they appear in. In fact, many have an important supporting role too, and Mrs Hudson is one of those characters. As the long-suffering landlady of Mr Holmes, she must have seen all sorts treading the famous stairs of 221b Baker Street. Mrs Hudson may not always have a voice, but she has nothing but affection for Holmes and Watson, and offers them great support – even if it is as simple as a cup of tea.

Who are your favourite females in fiction?

Happy International Women’s Day!

Why I love the Royal Shakespeare Company

One evening in 2009, I walked into the RSC’s Courtyard Theatre with my parents. We had arrived to see Julius Caesar. This was not my first experience of Shakespeare in Stratford-Upon-Avon but it was the first that did not result in me returning to a classroom to write an essay.

I had read Self Made Hero’s Shakespeare Manga Julius Caesar in preparation, but nothing can really prepare you for the experience. I was hooked from the moment that the cast took to the stage. The RSC Ensemble were, on this occasion, led by Greg Hicks in the role of Julius Caesar, but a huge part of the charm was that there was not a ‘star’, but an ensemble of very talented actors telling the story of the Emperor of Rome. I left that evening exhilarated with a new appreciation of the Bard (I already loved Romeo and Juliet but that was probably thanks to Baz Luhrmann casting Leo in the film…). It was clear from that moment that nothing could beat seeing these plays on the stage. I was lucky enough to see a number of the plays at the Courtyard with the RSC Ensemble and have never looked back since and now visit the beautiful RSC Theatre.

Over the years, going to the RSC productions have become something of a family tradition. And, if we have not had the same desire to see some of the productions, then I have gone with friends who have a similar passion for the theatre. However, none of us restrict ourselves to the tales of Shakespeare. The wonderful musical ‘Matilda‘ started at the Courtyard and ‘Wendy and Peter Pan’ was a fabulous retelling of J.M Barrie’s classic.

Memories are made each time we visit this wonderful town and its theatre, and I can not wait for the fast-approaching Rome Season and making many more memories.

Top 10 memories (in no particular order – and I have probably still missed something):

  1. Matilda on a very snowy December day.
  2. Othello with Hugh Quarshie in the title role and Lucian Msamati as Iago.
  3. Richard II with David Tennant (and spotting him in the street on the morning of the play).
  4. Wendy and Peter Pan (on both occasions).
  5. Love’s Labours Lost, sitting on the same row as Prince Charles.
  6. Julius Caesar – that first grown-up RSC experience.
  7. The Merchant of Venice with Sir Patrick Stewart as Shylock.
  8. Twelfth Night with the very funny Richard Wilson as Malvolio.
  9. Much Ado About Nothing with Meera Syal and a truly exotic setting.
  10. The wonderful Hamlet with the award-winning Paapa Essideu in the lead role.

Theatre Mouse’s Top 5 Shows of 2016

In no particular order here are Theatre Mouse‘s favourite shows of 2016:

  1. Kinky Boots – The Musical at The Adelphi Theatre, London.
  2. Hamlet at the Royal Shakespeare Theatre, Stratford-Upon-Avon.
  3. The Merry Wives of Windsor at Bard on the Beach, Vancouver, BC.
  4. Sleeping Beauty at The Birmingham Hippodrome.
  5. Showboat at New London Theatre, London.

What adventures will Theatre Mouse have in the coming year?